That creates a lot of room to improve your technique even after you’ve slashed your way through a song without missing anything, and encourages wildly exaggerated swings that make it feel like I’m actually trying to cut the blocks with force and momentum. You’re scored based on whether you follow through on the swing rather than limply tapping a block, and how close to the center of the block your blade passes through. Theres's a lot of room to improve your technique even after you've slashed your way through a song without missing.Placing high on the leaderboards isn’t just about hitting every block before it gets past you – there’s some precision to how your swing should be executed. You’ll also occasionally see spikey mines coming down the pipe that cause a score multiplier and combo string reset when hit, but on Hard mode at least I haven’t seen those used in ways that felt like I was ever in any real danger of actually hitting one. Other than that, there are a few sparingly used obstacles like walls and low ceilings that force you to sidestep or duck out of the way, respectively, usually while still swinging your swords.
Or they’ll follow one cross-swing with another so that if you overcommit in one direction it’s tough to swing back the other way. You’ll also see rapid-fire sequences of up-down-up-down-up-down, forcing a drummer-like movement where if you miss one you’ll miss them all. Most of the time sequences are designed to help you out with this by following an up with a down or a left with a right so that you naturally can swing one way and then the other, but the meaner ones will do the same direction repeatedly, forcing you to swing and then quickly swing back to reset for the next block.
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A torrent of blocks will come at you so fast that you need to be looking two blocks down the line from the ones you’re actually swinging at to keep up and plan for where your swords will need to be in order to hit them with the correct directional swing. On Normal or Easy modes it’s a breeze to blow through a course, but on Hard and above things really heat up to challenge you. That sounds simple to deal with, but when the pace picks up it’s surprisingly easy to miss – and when you miss once it’s hard not to miss some more before you recover your composure. Some songs like to embed a single blue block on the left side during a flurry of reds (or vice versa) to throw you off. The incoming blocks are color-coded to your sabers, most of the time you’ll be hitting red blocks on the left and blue blocks on the right – sometimes in symmetrical patterns, others in asymmetrical patterns that create a challenge of coordination that feels like patting your head with one hand while rubbing your belly with the other.
On a basic level, it’s about hitting the right block with the right saber in the right direction. These unlicensed lightsabers don’t make the signature whizzing sounds of Star Wars, which I can’t help but feel a tad disappointed by, but the sound they do make meshes well with the music they’re timed to, and that creates the feeling of being a participant in the song.Īsymmetrical patterns feel like patting your head with one hand while rubbing your belly with the other.While playing through a track is mechanically straightforward, there’s a significant amount of nuance to it that makes replaying them to chase higher scores fun and challenging.
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The shiny neon-rave graphics are simple but clear and easily readable, so it looks nearly as good on the Oculus Quest as it does on a Vive Pro (with just a few effects turned down). You play it standing still and facing straight ahead with nothing going on behind you, so you don’t need a room-scale setup – even the PlayStation VR’s basic single-camera tracking can handle it fine. Honing your skills to turn frantic flailing into precision swings is as satisfying as it is sweaty.Īs VR games go, Beat Saber doesn’t push the limits of the technology too far. Few other games so quickly and effectively get across the appeal of this technology as it does, throwing a stream of color-coded boxes at your face and turning your controllers into a pair of mismatched, off-brand lightsabers with which to slice and dice them in time to pumping electronic beats. Whenever I want to show VR to friends who’ve never tried it before (which is one of the great pleasures of owning a headset), Beat Saber is the game I fire up first.
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